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The graphic novel Art Spiegelman’s Pulitzer, who won the Pulitzer award, is a collection of counting land with the Holocaust and a breakthrough in a serious comic, but its full achievements are more unusual and eclectic. Art Spiegelman: The Catastrophe is my muse of the composition of his early 1960s as a co -founder of Wacky Balges Business; His co -ongoing underground comic magazines (with Bill Griffith) and raw (with his wife Françoise Moul); In the shade without towers, his reaction to September 11, inspired by the attacks of his house to the lower Manhattan; Controversial packaging for New Yorker (1993-2003), which forced NYPD to choose the magazine office; and his public response to the recent ban on Maus by the board of the Tennessee School. Spiegelman proves the eloquent guide about his provoking work, along with contemporary (Robert Crumb, Gary Panther) and younger cartoons (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by the unwavering confrontation of personal traumatic topics.
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